Abstract
Using the framework of “dissident bodies,” Rosa Blanco Cano explores the ways that contemporary women artists have literally and metaphorically deployed their bodies to challenge received mythologies about monolithic nationalism, sanctified motherhood, and tradition-bound indignity.Copyright © 2012-2013 Estudios Interdisciplinarios de América Latina y el Caribe.
ISSN 0792-7061
Editores: Ori Preuss; Nahuel Ribke
Instituto Sverdlin de Historia y Cultura de América Latina, Escuela de Historia
Universidad de Tel Aviv, Ramat Aviv,
P.O.B. 39040 (69978), Israel.
Correo electrónico: eial@tauex.tau.ac.il
Fax: 972-3-6406931
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