Resumo
This translation of Hermano Vianna's study of the Brazilian samba is an important contribution not only to English-language scholarship on Latin American music, but also to today's lively multidisciplinary discussion about race, nation, and popular culture. An anthropologist, Vianna discusses the social history of the samba (he also touches on some of samba's precursors and descendants), but the book is primarily a response to existing samba discourse among Brazilians. Because samba is considered the Brazilian "national rhythm," this discourse is inextricable from discussion about national identity. The book thus constitutes Vianna's take on nation, race, and music in Brazil. Accessible to readers unfamiliar with Brazilian studies, it is a good introduction to this field. John Charles Chasteen's English rendering reads exceptionally well; free of excessive jargon, its nuanced turns of phrase nicely frame the author's probing and provocative thoughts.Copyright © 2012-2013 Estudios Interdisciplinarios de América Latina y el Caribe.
ISSN 0792-7061
Editores: Ori Preuss; Nahuel Ribke
Instituto Sverdlin de Historia y Cultura de América Latina, Escuela de Historia
Universidad de Tel Aviv, Ramat Aviv,
P.O.B. 39040 (69978), Israel.
Correo electrónico: eial@tauex.tau.ac.il
Fax: 972-3-6406931
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