Who Killed the Mexican Film Industry? The Decline of the Golden Age, 1946-1960


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Palavras-chave

Golden Age
Mexican cinema
Cine de Oro
William Jenkins
Hollywood
Miguel Alemán
Adolfo Ruiz Cortines
Adolfo López Mateos

Como Citar

Paxman, A. (2018). Who Killed the Mexican Film Industry? The Decline of the Golden Age, 1946-1960. EIAL - Estudios Interdisciplinarios De América Latina Y El Caribe, 29(1), 9–33. https://doi.org/10.61490/eial.v29i1.1556

Resumo

During the Second World War, a convergence of local acting and directing talent and rising production levels gave birth to the Golden Age of Mexican Cinema, a phenomenon facilitated by reduced competition from Hollywood, Argentina, and Europe. However, as of 1946, high output masked a growing malaise within Mexico’s film industry, manifest in a decline in cinematic originality and a dependence on cheaply-made genre pictures. Traditionally, the slow demise of the Golden Age has been blamed on two factors: first, the influence of William Jenkins, an expatriate U.S. investor who developed a near-monopoly of theaters that privileged Hollywood fare at upmarket screens and financed local production in a way that kept budgets low; second, the creative stagnation of Mexico’s directors, whose union admitted few new members. This article explores those allegations while also consider-ing other key factors of the decline: the risk-averse role of producers, the populist media policies of the Mexican state, and international trends such as the resurgence of competing film industries. The article therefore offers a holistic, business-conscious history of the Golden Age fade-out.

https://doi.org/10.61490/eial.v29i1.1556
PDF (English)

Copyright © 2012-2013 Estudios Interdisciplinarios de América Latina y el Caribe.
ISSN 0792-7061
Editores:  Ori Preuss; Nahuel Ribke
Instituto Sverdlin de Historia y Cultura de América Latina, Escuela de Historia
Universidad de Tel Aviv, Ramat Aviv,
P.O.B. 39040 (69978), Israel.
Correo electrónico:  eial@tauex.tau.ac.il
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