Who Killed the Mexican Film Industry? The Decline of the Golden Age, 1946-1960

Abstract

During the Second World War, a convergence of local acting and directing
talent and rising production levels gave birth to the Golden Age of Mexican
Cinema, a phenomenon facilitated by reduced competition from Hollywood,
Argentina, and Europe. However, as of 1946, high output masked a growing
malaise within Mexico’s film industry, manifest in a decline in cinematic
originality and a dependence on cheaply-made genre pictures. Traditionally,
the slow demise of the Golden Age has been blamed on two factors: first,
the influence of William Jenkins, an expatriate U.S. investor who developed
a near-monopoly of theaters that privileged Hollywood fare at upmarket
screens and financed local production in a way that kept budgets low; second,
the creative stagnation of Mexico’s directors, whose union admitted few
new members. This article explores those allegations while also considering other key factors of the decline: the risk-averse role of producers, the
populist media policies of the Mexican state, and international trends such
as the resurgence of competing film industries. The article therefore